
Alla Nazimova
- Known for
- Acting
- Born
- June 3, 1879, Yalta, Taurida Governorate, Russian Empire
- Died
- July 13, 1945
- Movies
- 32
Alla Nazimova (Russian and Ukrainian: Алла Назимова; 3 June [O.S. 22 May] 1879 – 13 July 1945) was an American film and theatre actress, a screenwriter, and film producer. She is perhaps best known as simply Nazimova, but also went under the name Alia Nasimoff. She emigrated to the United States from the Russian Empire. In 1927, Nazimova became a naturalized citizen of the United States.
She was signed up by the American producer Henry Miller and made her Broadway debut in New York City, in 1906 to critical and popular success. She quickly became extremely popular (a theatre was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen.
Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play, which was produced by Lewis J. Selznick. A young actor with a bit part in the movie was Richard Barthelmess whose mother taught Nazimova English. In 1917, she negotiated a contract with Metro Pictures, a precursor to MGM, that included a weekly salary of $13,000. She moved from New York to Hollywood, where she made a number of highly successful films for Metro that earned her considerable money. She was influential in the film industry in the silent era and continued to play character roles until the end of her life.
Best-Known Movies
Filmography
| 2019 | Behind Natacha Rambova's Shadow | Various Roles (archive footage) |
| 1961 | The Legend of Rudolph Valentino | Self (archive footage) |
| 1944 | Since You Went Away | Zofia Koslowska |
| 1944 | In Our Time | Zofia Orwid (as Nazimova) |
| 1944 | The Bridge of San Luis Rey | Doña Maria - The Marquesa |
| 1942 | Screen Snapshots (Series 22, No. 10) | Self (archive footage) |
| 1941 | Blood and Sand | Senora Augustias |
| 1940 | Escape | Emmy Ritter |
| 1940 | A New Romance of Celluloid: The Miracle of Sound | Self |
| 1925 | My Son | Ana Silva |
| 1925 | The Redeeming Sin | Joan |
| 1924 | Madonna of the Streets | Mary Carlson / Mary Ainsleigh |
| 1923 | Salomé | Salomé |
| 1922 | A Doll's House | Nora Helmer |
| 1921 | Camille | Marguerite Gautier |
| 1920 | Billions | Princess Triloff |
| 1920 | Madame Peacock | Jane Goring / Gloria Cromwell |
| 1920 | The Heart of a Child | Sally Snape (as Nazimova) |
| 1920 | Stronger Than Death | Sigrid Fersen |
| 1919 | The Brat | The Brat |
| 1919 | The Red Lantern | Mahlee & Blanche Sackville |
| 1919 | Out of the Fog | Faith / Eve |
| 1918 | Eye for Eye | Hassouna |
| 1918 | A Woman of France | Louise |
| 1918 | Toys of Fate | Zorah / Hagah |
| 1918 | Revelation | Joline |
| 1916 | War Brides | Joan |
Directing, Writing & Producing
| 1923 | Salomé | Producer |
| 1922 | A Doll's House | Writer, Producer |
| 1920 | Madame Peacock | Writer, Producer |
| 1919 | The Brat | Writer |
| 1918 | Eye for Eye | Director |
Data from TMDB. This product uses the TMDB API but is not endorsed or certified by TMDB.









