Marcel Ophüls
- Known for
- Directing
- Born
- November 1, 1927, Frankfurt am Main, Germany
- Died
- May 24, 2025
- Movies
- 39
Marcel Ophuls (German: [ˈɔfʏls]; born 1 November 1927) was a German-French documentary film maker and former actor, best known for his films The Sorrow and the Pity and Hôtel Terminus: The Life and Times of Klaus Barbie.
Ophuls was born in Frankfurt, Germany, the son of Hildegard Wall and the director Max Ophüls. His family left Germany in 1933 following the coming to power of the Nazi Party and settled in Paris, France. Following the invasion of France by Germany in May 1940 they were forced to flee to the Vichy zone, remaining in hiding for over a year before crossing the Pyrenees into Spain in order to travel to the United States, arriving there in December 1941. Marcel attended Hollywood High School, then Occidental College, Los Angeles. He spent a brief period serving in a U.S. Army theatrical unit in Japan in 1946, then studied at the University of California, Berkeley. Ophuls became a naturalized citizen of France in 1938, and of the United States in 1950.
When the family returned to Paris in 1950 Marcel became an assistant to Julien Duvivier and Anatole Litvak, and worked on John Huston's Moulin Rouge (1952) and his father's Lola Montès (1955). Through François Truffaut, Ophuls got to direct an episode of the portmanteau film Love at Twenty (1962). There followed the commercial hit Banana Peel (1964), a detective film starring Jeanne Moreau and Jean-Paul Belmondo.
Best-Known Movies

Lola Montès
1955

Love at Twenty
1962

Hôtel Terminus: The Life and Times of Klaus Barbie
1988

Banana Peel
1963

The Memory of Justice
1976

Egon Schiele: Excess and Punishment
1980

Claude Lanzmann: Spectres of the Shoah
2015

François Truffaut: Stolen Portraits
1993

Liberty Belle
1983

The Sorrow and the Pity: The Film That Shocked France
2024
Filmography
| 2024 | The Sorrow and the Pity: The Film That Shocked France | Self (archive footage) - Director ("Le Chagrin et la Pitié") |
| 2017 | A Deal Made in a Turkish Bath | Self |
| 2015 | Claude Lanzmann: Spectres of the Shoah | Self |
| 2013 | Ain't Misbehavin | Self |
| 2011 | Marcel Ophuls and Jean-Luc Godard: The Meeting in St-Gervais | Self |
| 2009 | Max par Marcel: Lola Montès | Self |
| 2004 | Marcel Ophuls: The Memory Hunter | Self |
| 2002 | A Journey Through Le Plaisir | himself |
| 1994 | The Troubles We've Seen | Self |
| 1993 | François Truffaut: Stolen Portraits | Self (archive footage) |
| 1991 | November Days | Self - Interviewer |
| 1988 | Hôtel Terminus: The Life and Times of Klaus Barbie | Self |
| 1984 | Das schöne irre Judenmädchen | Medardus |
| 1983 | Liberty Belle | German teacher |
| 1982 | Festspiele | Clown |
| 1980 | Egon Schiele: Excess and Punishment | Dr. Stovel |
| 1965 | Cinéastes de notre temps : Max Ophuls ou la ronde | Self |
| 1955 | Lola Montès | (uncredited) |
Directing, Writing & Producing
| 2013 | Ain't Misbehavin | Director |
| 2009 | Max par Marcel: Lola Montès | Director, Writer |
| 1994 | The Troubles We've Seen | Writer, Director |
| 1991 | November Days | Director, Writer |
| 1988 | Hôtel Terminus: The Life and Times of Klaus Barbie | Director, Writer, Producer |
| 1982 | Festspiele | Director, Writer |
| 1982 | Yorktown: The Meaning of a Victory | Director |
| 1980 | Kortnergeschichten | Director, Writer |
| 1976 | The Memory of Justice | Director, Producer, Writer |
| 1973 | A Sense of Loss | Director, Producer |
| 1971 | À la recherche de mon Amérique | Director |
| 1970 | Zwei ganze Tage | Director, Screenplay |
| 1970 | The Harvest of My Lai | Director, Writer |
| 1970 | Clavigo | Director |
| 1967 | Munich, or Peace in Our Time | Director, Writer |
| 1965 | Make Your Bets Ladies | Director, Screenplay |
| 1963 | Banana Peel | Director, Screenplay |
| 1962 | Munich | Director |
| 1962 | Love at Twenty | Director, Writer |
| 1960 | Matisse ou Le talent de bonheur | Director, Writer |
| 1958 | Das Pflichtmandat | Director |
Data from TMDB. This product uses the TMDB API but is not endorsed or certified by TMDB.