
Samuel Fuller
- Known for
- Directing
- Born
- August 12, 1912, Worcester, Massachusetts, USA
- Died
- October 30, 1997
- Movies
- 95
Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist and film director known for low-budget genre movies with controversial themes.
He was born Samuel Michael Fuller in Worcester, Massachusetts, the son of Benjamin Rabinovitch, a Jewish immigrant from Russia, and Rebecca Baum, a Jewish immigrant from Poland. After immigrating to America, the family's surname was changed from Rabinovitch to "Fuller" possibly by inspiration of a Doctor who arrived in America on the Mayflower. At the age of 12, he began working in journalism as a newspaper copyboy. He became a crime reporter in New York City at age 17, working for the New York Evening Graphic. He broke the story of Jeanne Eagels' death. He wrote pulp novels and screenplays from the mid-1930s onwards. Fuller also became a screenplay ghostwriter but would never tell interviewers which screenplays that he ghost-wrote explaining "that's what a ghost writer is for".
During World War II, Fuller joined the United States Army infantry. He was assigned to the 16th Infantry Regiment, 1st Infantry Division, and saw heavy fighting. He was involved in landings in Africa, Sicily, and Normandy and also saw action in Belgium and Czechoslovakia. In 1945 he was present at the liberation of the German concentration camp at Falkenau and shot 16 mm footage which was used later in the documentary Falkenau: The Impossible. For his service, he was awarded the Bronze Star, the Silver Star, and the Purple Heart. Fuller used his wartime experiences as material in his films, especially in The Big Red One (1980), a nickname of the 1st Infantry Division.
Best-Known Movies
Filmography
Directing, Writing & Producing
| 2005 | The Big Red One: The Reconstruction | Director, Writer |
| 1994 | Girls in Prison | Writer |
| 1990 | The Madonna and the Dragon | Director, Screenplay |
| 1990 | The Day of Reckoning | Director, Screenplay |
| 1989 | Street of No Return | Director, Screenplay |
| 1984 | Thieves After Dark | Director, Writer |
| 1982 | White Dog | Director, Screenplay |
| 1980 | The Big Red One | Director, Writer |
| 1978 | The Meanest Men in the West | Director, Screenplay |
| 1974 | The Klansman | Screenplay |
| 1972 | Dead Pigeon on Beethoven Street | Director, Writer |
| 1969 | Shark | Director, Screenplay |
| 1968 | Targets | Screenplay |
| 1967 | The Cape Town Affair | Writer |
| 1964 | The Naked Kiss | Director, Writer, Producer |
| 1963 | Shock Corridor | Director, Screenplay, Producer |
| 1962 | Merrill's Marauders | Director, Screenplay |
| 1961 | Underworld U.S.A. | Director, Writer, Producer |
| 1959 | The Crimson Kimono | Director, Writer, Producer |
| 1959 | Verboten! | Director, Writer |
| 1959 | Dogface | Director, Writer, Producer |
| 1957 | Forty Guns | Director, Screenplay, Producer |
| 1957 | Run of the Arrow | Director, Writer, Producer |
| 1957 | China Gate | Director, Screenplay, Producer |
| 1955 | House of Bamboo | Director |
| 1954 | The Command | Writer |
| 1954 | Hell and High Water | Director, Screenplay |
| 1953 | Pickup on South Street | Director, Screenplay |
| 1952 | Park Row | Writer, Director, Producer |
| 1951 | Fixed Bayonets! | Director, Screenplay |
| 1951 | The Steel Helmet | Director, Writer, Producer |
| 1950 | The Baron of Arizona | Director, Writer |
| 1949 | I Shot Jesse James | Director, Writer |
| 1949 | Shockproof | Writer |
| 1945 | V-E +1 | Director |
| 1943 | Margin for Error | Screenplay |
| 1940 | Gangs of Chicago | Screenplay |
| 1939 | She Married a Cop | Writer |
| 1938 | Gangs of New York | Screenplay |
| 1937 | It Happened in Hollywood | Screenplay |
| 1936 | Hats Off | Screenplay |
Data from TMDB. This product uses the TMDB API but is not endorsed or certified by TMDB.









